![]() In fact, his art house “hits” La Dolce Vita (1960) and 8 1/2 (flanked by his contribution to the portmanteau film Boccaccio ’70), are arguably the most iconic representatives of art cinema, along with his compatriot Michelangelo Antonioni’s trilogy L’Aventurra, L’eclisse, and La notte, Ingmar Bergman’s The Seventh Seal and Wild Strawberries, and Alain Resnais’ Hiroshima, mon amour and Last Year at Marienbad. The Italian director Federico Fellini is best known as one of the central figureheads of the post-world war 2 art cinema. ![]() By Donato Totaro Volume 16, Issue 1 / January 2012 11 minutes (2549 words) ![]()
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